Archives des mots-clés : digital publishing

From paper-based towards post-digital scholarly publishing: an analysis of an ideological dilemma and its consequences

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Authors : Jarmo Saarti, Kimmo Tuominen

Introduction

Even though the current publishing model is based on digital dissemination, it still utilizes some of the basic principles of printed culture. Recently a policy emphasis towards open access has been set for publicly funded research.

This paper reports on a study of the practices, business models and values linked with scholarly publishing.

Method

Conceptual analysis was conducted, drawing on literature on scholarly publishing policies, practices, values and economies, with an emphasis on the structures and conflicts between license-based and open publishing models.

Results

Scholarly interests of sharing collide with commercial interests of generating profits. In the digital era, the scientific community might have a third economically viable alternative. This third way is based on what the authors call post-digital scholarly publishing.

Conclusion

Science should aim at as complete openness as possible. Scholarly activities advance best when the whole scientific community has access to both publications and research data.

What seems to stand in the way of scientific sharing is the global publishing industry in its present form. In the future, post-digital scholarly publishing might provide a means for finding an economically viable way between sharing economy and commercial interests.

URL : http://www.informationr.net/ir/22-3/paper769.html

 

Research Articles in Simplified HTML: a Web-first format for HTML-based scholarly articles

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Authors : Silvio Peroni, Francesco Osborne, Angelo Di Iorio, Andrea Giovanni Nuzzolese, Francesco Poggi, Fabio Vitali, Enrico Motta

Purpose

This paper introduces the Research Articles in Simplified HTML (or RASH), which is a Web-first format for writing HTML-based scholarly papers; it is accompanied by the RASH Framework, i.e. a set tools for interacting with RASH-based articles. The paper also presents an evaluation that involved authors and reviewers of RASH articles, submitted to the SAVE-SD 2015 and SAVE-SD 2016 workshops.

Design

RASH has been developed in order to: be easy to learn and use; share scholarly documents (and embedded semantic annotations) through the Web; support its adoption within the existing publishing workflow.

Findings

The evaluation study confirmed that RASH can already be adopted in workshops, conferences and journals and can be quickly learnt by researchers who are familiar with HTML.

Research limitations

The evaluation study also highlighted some issues in the adoption of RASH, and in general of HTML formats, especially by less technical savvy users. Moreover, additional tools are needed, e.g. for enabling additional conversion from/to existing formats such as OpenXML.

Practical implications

RASH (and its Framework) is another step towards enabling the definition of formal representations of the meaning of the content of an article, facilitate its automatic discovery, enable its linking to semantically related articles, provide access to data within the article in actionable form, and allow integration of data between papers.

Social implications

RASH addresses the intrinsic needs related to the various users of a scholarly article: researchers (focussing on its content), readers (experiencing new ways for browsing it), citizen scientists (reusing available data formally defined within it through semantic annotations), publishers (using the advantages of new technologies as envisioned by the Semantic Publishing movement).

Value

RASH focuses strictly on writing the content of the paper (i.e., organisation of text + semantic annotations) and leaves all the issues about it validation, visualisation, conversion, and semantic data extraction to the various tools developed within its Framework.

URL : https://essepuntato.github.io/papers/rash-peerj2016.html

Le paradoxe du blogue édité

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Auteur/Author : Anaïs Guilet

Avec l’avènement des médias numériques et d’Internet, une nouvelle pratique éditoriale voit le jour : la publication de blogues. Au début des années 2000, le blogue édité ne concernait presque que l’autoédition.

Ceci n’est plus le cas aujourd’hui puisque les maisons d’édition traditionnelles ont su s’emparer du phénomène. Les blogues proposent un vivier de nouveaux écrivains dont le succès sur le Web peut être garant de leur réussite éditoriale.

Pour les auteurs quidam, comme Caroline Allard et Les chroniques d’une mère indigne (2007), la publication est une consécration littéraire. Nous verrons que la remédiatisation en livre impose des modifications du texte du blogue qui le rendent digne de son nouveau statut médiatique, en même temps qu’elles semblent trahir le média d’origine.

Nous nous intéresserons à ce pouvoir légitimant du livre face aux nouveaux médias. Un blogue édité d’écrivain reconnu sera aussi abordé : L’Autofictif d’Éric Chevillard. Son auteur, qui cherchait d’abord dans le blogue un nouveau champ d’expérience littéraire, semble avoir divergé de son intention originelle en éditant finalement son texte.

Le cas des blogues édités permettra de soulever l’aspect problématique de la persistance du livre, en tant que média littéraire modèle, à l’heure des écritures numériques.

URL : http://contextes.revues.org/6205

Les revues littéraires en ligne : entre éditorialisation et réseaux d’intelligences

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Cet article propose un état des lieux sur les revues littéraires numériques. Cette tâche pourrait sembler facile si l’on considère que ces expériences existent depuis très peu de temps. Les premières revues en ligne apparaissent, en effet, au début des années 1990.

Pourtant, la question est beaucoup plus complexe que ce que l’on pourrait penser, et cela, pour une série de raisons qui seront analysées dans cet article. Il n’est tout d’abord pas évident de s’entendre sur ce que l’on définit par l’expression « revue littéraire numérique ».

D’une part car on fait référence, avec le mot « numérique », à une série d’expériences et de pratiques hétérogènes et différentes qui peuvent difficilement être regroupées ensemble. D’autre part parce que ce qu’on appelle désormais la « révolution numérique » a déterminé des changements importants quant au sens des contenus, de leur production, de leur validation et de leur distribution et a par conséquent fortement affecté la signification du mot « revue » lui-même.

Il faudra ainsi prendre séparément en considération une série de phénomènes différents et essayer de rendre compte de pratiques hétérogènes qui se chevauchent et empiètent l’une sur l’autre. L’article proposera d’abord une analyse des enjeux de la numérisation des revues, à savoir le processus de transposition des revues papier au format électronique.

Il s’attaquera ensuite aux expériences des revues numériques dès leur création pour comprendre s’il y a une différence, et laquelle, entre les premières et les secondes.

Pour finir, on tentera de comprendre en quoi le numérique en tant que phénomène culturel — et en particulier les changements de diffusion et de circulation des contenus ainsi que les différentes formes de ce que l’on appelle désormais « éditorialisation » — a transformé l’idée même de revue et donné lieu à des pratiques et à des expériences complexes et hybrides dont la place dans le panorama culturel est difficile à saisir.

URL : https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/11379/revues-litteraires-en-ligne-vitali-rosati.pdf

Digitization, Internet publishing and the revival of scholarly monographs: An empirical study in India

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“This research shows the growing utility of internet-based digital models in reviving the crisis-stricken traditional print monograph publishing. The rising prices of scientific journals in the past three decades forced academic and research libraries to resort to cutbacks on monograph budgets. The declining sales to libraries and rising production costs led to a significant drop in global demand for print monographs, rendering monograph publishing financially unattractive. Combining the flexibility of digitized content with the global reach of the Internet, three emerging digital models — print on demand, bundled e-books, and e-consortia — are beginning to revamp the monograph publishing business.”

URL : http://firstmonday.org/ojs/index.php/fm/article/view/4932

Encouraging Digital Scholarly Publishing in the Humanities White…

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Encouraging Digital Scholarly Publishing in the Humanities: White Paper :

“This project, led by the University Press of North Georgia, and funded by a Digital Start-Up grant from the National Endowment for the Humanities focused on exploring the peer review process and increasing its usefulness to presses and scholars publishing digitally. By exploring this issues we have made recommendations for best practices in digital publishing, specifically for small academic presses. Through surveys and a workshop of key stakeholder groups (press directors, college administrators, humanities faculty, and library/technology center directors), we found a strong investment in the “gold standard” of double- or single-blind peer review. Working within the current academic publishing structure (including publishing in print) was a priority, even to presses and faculty members who were actively exploring digital publishing and open access models. On closer inspection, we realized that the various stakeholders valued the current peer review process for different reasons. And we found that the value of peer review goes beyond vetting the quality of scholarship and manuscript content. Based on these findings, we considered ways to obtain these benefits within the current academic structure through innovative peer review processes. At the same time, we looked for ways of offsetting potential risks associated with these alternative methods. We considered cost effective ways to accommodate the needs of the disparate constituencies involved in academic publishing while allowing room for digital publishing. While our findings focus primarily on small academic presses, they also have significant implications for the open access community.”

URL : http://ung.edu/college-of-arts-and-letters/encouraging-digital-publishing/

Post-Digital Print : The Mutation of Publishing since 1894

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“In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun.

Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over?

In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avantgarde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for criticaldigital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art.”

URL : https://microblogging.infodocs.eu/wp-content/uploads/2015/01/alessandro_ludovico.pdf

Alternative URL : http://monoskop.org/images/a/a6/Ludovico,_Alessandro_-_Post-Digital_Print._The_Mutation_of_Publishing_Since_1894.pdf

Interview with Alessandro Ludovico by Janneke Adema :
URL : http://culturemachinepodcasts.podbean.com/2013/02/06/post-digital-print-and-networks-of-independent-publishing-alessandro-ludovico/