Les sources nativement numériques pour les sciences humaines et sociales

Auteur/Author : Camille Paloque-Berges

Cet article vient proposer une synthèse et une extension d’une journée d’étude prenant pour problématique les questions méthodologiques et épistémologiques associées aux sources numériques natives (SNN), c’est-à-dire produites originellement dans le contexte d’usage des outils et environnements numériques.

On s’attache d’abord à décrire le type de sources dont il s’agit du point de vue de leur matérialité, afin de les faire apparaître derrière le mille-feuille des artefacts informatiques. Données, code, documents, équipement : autant de niveaux allant du logiciel au matériel informatique dans lesquels s’inscrivent les gestes et mots du présent.

Ces sources sont ensuite considérées à travers le processus de mise en archive, censée leur donner une valeur patrimoniale stable – et soulevant les problématiques de l’originalité, de l’intégrité et de l’authenticité de ces sources.

Enfin, un échantillon de méthodologies associées à l’analyse des SNN est présenté à travers une observation à plusieurs échelles, avant de conclure ce tour d’horizon par les questionnements épistémologiques entraînés par la réflexivité du chercheur qui les manipule.

URL : https://www.cairn.info/revue-histoire-politique-2016-3-page-221.htm

Research Data Management Instruction for Digital Humanities

Author : Willow Dressel

eScience related library services at Princeton University started in response to the National Science Foundation’s (NSF) data management plan requirements, and grew to encompass a range of services including data management plan consultation, assistance with depositing into a disciplinary or institutional repository, and research data management instruction.

These services were initially directed at science and engineering disciplines on campus, but the eScience Librarian soon realized the relevance of research data management instruction for humanities disciplines with digital approaches.

Applicability to the digital humanities was initially recognized by discovery of related efforts from the history department’s Information Technology (IT) manager in the form of a graduate-student workshop on file and digital-asset management concepts.

Seeing the common ground these activities shared with research data management, a collaboration was formed between the history department’s IT Manager and the eScience Librarian to provide a research data management overview to the entire campus community.

The eScience Librarian was then invited to participate in the history department’s graduate student file and digital asset management workshop to provide an overview of other research data management concepts. Based on the success of the collaboration with the history department IT, the eScience Librarian offered to develop a workshop for the newly formed Center for Digital Humanities at Princeton.

To develop the workshop, background research on digital humanities curation was performed revealing similarities and differences between digital humanities curation and research data management in the sciences. These similarities and differences, workshop results, and areas of further study are discussed.

URL : Research Data Management Instruction for Digital Humanities

DOI : https://doi.org/10.7191/jeslib.2017.1115

Digitising Cultural Complexity: Representing Rich Cultural Data in a Big Data environment

Authors : Jennifer Edmond, Georgina Nugent Folan

One of the major terminological forces driving ICT integration in research today is that of « big data. » While the phrase sounds inclusive and integrative, « big data » approaches are highly selective, excluding input that cannot be effectively structured, represented, or digitised.

Data of this complex sort is precisely the kind that human activity produces, but the technological imperative to enhance signal through the reduction of noise does not accommodate this richness.

Data and the computational approaches that facilitate “big data” have acquired a perceived objectivity that belies their curated, malleable, reactive, and performative nature. In an input environment where anything can “be data” once it is entered into the system as “data,” data cleaning and processing, together with the metadata and information architectures that structure and facilitate our cultural archives acquire a capacity to delimit what data are.

This engenders a process of simplification that has major implications for the potential for future innovation within research environments that depend on rich material yet are increasingly mediated by digital technologies.

This paper presents the preliminary findings of the European-funded KPLEX (Knowledge Complexity) project which investigates the delimiting effect digital mediation and datafication has on rich, complex cultural data.

The paper presents a systematic review of existing implicit definitions of data, elaborating on the implications of these definitions and highlighting the ways in which metadata and computational technologies can restrict the interpretative potential of data.

It sheds light on the gap between analogue or augmented digital practices and fully computational ones, and the strategies researchers have developed to deal with this gap.

The paper proposes a reconceptualisation of data as it is functionally employed within digitally-mediated research so as to incorporate and acknowledge the richness and complexity of our source materials.

URL : https://hal.archives-ouvertes.fr/hal-01629459

The heteronomy of algorithms: Traditional knowledge and computational knowledge

Author : David M. Berry

If critical approaches are to remain relevant in a computational age, then philosophy must work to critique and understand how the materiality of the modern world is normatively structured using computation and the attendant imaginaries made possible for the reproduction and transformation of society, economy, culture and consciousness.

This call is something we need to respond to in relation to the contemporary reliance on computational forms of knowledge and practices and the co-constitution of new computational subjectivities. This chapter argues that to comprehend the digital we must, therefore, know it from the inside, we must know its formative processes.

We must materialize the digital and ask about the specific mediations that are made possible in and through computation, and the infrastructural systems which are built from it. This calls for computation and computational thinking to be part of the critical traditions of the arts and humanities, the social sciences and the university as a whole, requiring new pedagogical models that are able to develop new critical faculties in relation to the digital.

URL : https://books.openedition.org/editionsmsh/9091

Perseids: Experimenting with Infrastructure for Creating and Sharing Research Data in the Digital Humanities

Author : Bridget Almas

The Perseids project provides a platform for creating, publishing, and sharing research data, in the form of textual transcriptions, annotations and analyses. An offshoot and collaborator of the Perseus Digital Library (PDL),

Perseids is also an experiment in reusing and extending existing infrastructure, tools, and services.

This paper discusses infrastructure in the domain of digital humanities (DH). It outlines some general approaches to facilitating data sharing in this domain, and the specific choices we made in developing Perseids to serve that goal.

It concludes by identifying lessons we have learned about sustainability in the process of building Perseids, noting some critical gaps in infrastructure for the digital humanities, and suggesting some implications for the wider community.

URL : Perseids: Experimenting with Infrastructure for Creating and Sharing Research Data in the Digital Humanities

DOI : http://doi.org/10.5334/dsj-2017-019

Introduction à l’écrilecture scientifique et aux modalités techniques de son augmentation

Auteurs/Authors : Evelyne Broudoux, Gérald Kembellec

L’objectif de cette introduction est de placer l’écrilecture numérique dans le contexte des humanités numériques afin de mieux saisir l’ancrage de ce procédé comme partie prenante de cette mise en mouvement disciplinaire.

L’écrilecture, y compris scientifique, est une pratique ancienne dont les procédés évoluent en même temps que les outils et qui structure la réflexion de générations de penseurs.

URL : https://archivesic.ccsd.cnrs.fr/sic_01494369

Humanités numériques responsables

Auteur/Author : Bernard Reber

Les humanités numériques sont bien loin de se résumer aux seules sciences documentaires augmentées. Elles affectent les savoirs eux-mêmes. Cet article part donc des humanités dans leur origine historique pour comparer et lier de diverses manières les sciences qui lisent et celles qui comptent.

Il aborde également les façons dont ces sciences se répondent, un des sens de responsabilité (responsiveness). Nous esquisserons cinq itinéraires de pensée au sein des humanités numériques, entre technologies de l’information et de communication et sciences humaines et sociales.

Cela fera le lien entre les humanités numériques et la notion émergente, principalement en Europe, d’Innovation et de recherche responsables (IRR). Elle est différente des évaluations éthiques qui s’imposent déjà à toute recherche (Ethical complicance).

Celles qui comportent des technologies d’information (TIC) ont détrôné par leur nombre celles qui préoccupaient la bioéthique. Nous verrons alors la richesse des conceptions de la responsabilité morale. Nous terminerons avec des problèmes liés à l’ontologie des humanités numériques, à celle de l’action, et à la décontextualisation qu’elles induisent.

URL : http://terminal.revues.org/1575